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Nattmara

by Endgame

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about

The Naked Fear Terminal
The inspiration for the title "Nattmara" (incidentally meaning "Nightmare" in Swedish, and the title of an extraordinary Ralph Lundsten work) this is a work of both startling unnerving intensity and subtly surreal spookiness. It could be the soundtrack to very strange movie, or you could imagine your own whilst listening to it. The subtitles are merely clues to the mood.

In Caustis Perpetua
Unique for an Endgame work, this outing starts with a menacingly huge growing crescendo culminating within its first 2 minutes, followed by a writhing always changing tail-off for its final 20 minutes. Hence the title. This features lots of mangled groaning guitars, bowed metal, wood and plastic (CD's with contact-mic's attached), and an overdose of Air-FX processing.

credits

released September 18, 2014

Recorded 21 February 2001 at Tachyon Studio.
Mixed by Jim Tetlow 25 February 2001.
Digital transfer and additional mixing by Alan Freeman 8 May 2005.

Alan Freeman: synths, guitar, voice, loops, bowed objects.
Jim Tetlow: Sound Canvas, guitar, voice, loops, tapes, bowed objects.
Steve Freeman: synths, guitar, voice, loops, turntable, bowed objects.

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Endgame Leicester, UK

Endgame music is instantaneous invention. Initially Endgame stepped on from German cosmic music in the manner of Zeit era Tangerine Dream, akin to Lightwave, the INA-GRM school or Morphogenesis. Expect references/dedications to Nurse With Wound, Krautrock, etc. Endgame were very busy on the session front for almost a decade, and continue to play live together occasionally. The archive is vast. ... more

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