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Electroacoustics CD1

by Endgame

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about

An almost lost album, chronologically this fits in between INTRIGUE and PHOENIX from late 2006, rediscovered only recently. This is Endgame in deep sonic contortion mode, with a wealth of sounds undergoing live manipulation via a range of devices, and less of the usual recognisable synths and instruments. Five very different tracks, each the soundtrack to its own imaginary mind movie.

credits

released August 15, 2018

Endgame session CLXX 26 November 2006.
Disc 1: afternon sessions.
Disc 2: evening sessions.
Recorded, mixed/edited by Alan Freeman at Tachyon Studio.
Original transfer and cleanup: 27 November 2006.
Final master: 29 July 2018.
Cover: Jim Tetlow.

Endgame...
Alan Freeman: guitar (with Zoom effects, controlling Roland GR-33 guitar synth and Doepfer MS404 midi analogue synth), Roland SH32 synth, laptop PC (running Wavelab with Pianoverb and Spektral Delay), voice.
Steve Freeman: loops and prepared recordings (2 CD players, cassette loops, 4 track portastudio), turntable, analogue synths (Korg MS20, Yamaha CS5, Octave Cat), guitar, bass, voice.
Jim Tetlow: laptop PC (running Spektral delay), prepared and live sounds.

Auricle AMCDR 287 DL © 2018

CD2: endgame1.bandcamp.com/album/electroacoustics-cd2

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Endgame Leicester, UK

Endgame music is instantaneous invention. Initially Endgame stepped on from German cosmic music in the manner of Zeit era Tangerine Dream, akin to Lightwave, the INA-GRM school or Morphogenesis. Expect references/dedications to Nurse With Wound, Krautrock, etc. Endgame were very busy on the session front for almost a decade, and continue to play live together occasionally. The archive is vast. ... more

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